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Placemaking in Action: EPIC Making in the Classroom

3/15/2018

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Wentworth Institute of Technology | Spring 2018 Faculty Showcase
Watson Hall | March 15, 2018

Wentworth Institute of Technology organizes the annual Faculty Showcase to celebrate and recognize the accomplishments of  faculty. Fifty faculty showcased 34 examples of excellence and creativity with teaching, scholarship, EPIC, grants, sabbaticals, and interdisciplinary collaborations. Organized by the Provost Office and Learning Innovation & Technology, participants hosted information tables to illuminate services and resources.

Dr. Christina Lanzl, Adjunct Professor of the Department of Architecture and Director of the Urban Culture Institute presented Placemaking in Action: EPIC Making in the Classroom. The exhibit offers documentation, outcomes and insights in the power of interdisciplinary, collaborative learning. Surveyed are three seminars from the past two years that focus on placemaking and art-in-architecture, an investigation of urban placemaking within a hands-on learning platform that combines theory with the making of successful places on and off campus. Focus and outcomes are cultural mapping, idea competition and exhibition projects developed by Wentworth senior and graduate students (two funded by EPIC Mini Grants).

Architecture student Shuxin Huang, Dr. Lanzl's spring 2018 co-op student, assisted. Thank you to Don Tracia, Tes Zakrzewski and the entire Provost Office and Learning Innovation & Technology team for incredible support.
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Lunchtime Conversation on Placemaking

3/13/2018

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Christina Lanzl and Anne-Catrin Schultz presented a faculty lecture on placemaking, which introduced the Placemaking Manifesto, which they co-authored and issued together with Robert Tullis and members of the Boston Society of Architects/AIA Placemaking Network in fall 2017. Lanzl and Schultz highlighted placemaking principles outlined in the Manifesto by discussing a series of case studies from their professional practice.​

The Lunchtime Conversation faculty lecture series is coordinated by Associate Professor Antonio Furgiuele, Department of Architecture within the College of Architecture, Design & Construction Management at Wentworth Institute of Technology in Boston, Massachusetts. 
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Kinetic Facades: Inventive Architecture, Design, Fabrication at ABX Greenbuild

11/3/2017

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Boston Exhibition and Convention Center
Wednesday, November 8, 2017, 11 am – 12:30 pm
​
​Architecture is typically associated with a sense of permanence, solidity and the perception that it stands still. At the same time, architects and engineers have been intrigued for centuries by more flexibility. They have attempted to mobilize elements, to create responsive facades that react to site conditions, microclimate and the users’ desires. Site conditions such as wind, sun and shadow or movement and the presence of spectators might be processed and visualized in moving parts as a process of kinetic response. Kinetic mechanisms are used in the engineering world to satisfy increasingly complex requirements of sustainability and in the art world to engage with buildings and the city. An interdisciplinary panel representing the fields of architecture, engineering, public art and fabrication will investigate case studies as well as the present and future of kinetic applications in facade design. Explored will be kinetic façade design, such as Logan Airport’s Central Garage West Expansion and insights on select projects by Arrowstreet, EXTECH, Ned Kahn, Asif Khan and soma, among others. The focus will be on projects that involve kinetic mechanisms, explore potential already realized and evolving visions. This panel is sponsored by the Placemaking Network of the Boston Society of Architects/AIA.
Kinetic Facades: Inventive Architecture, Design, Fabrication

Presenters
Christina Lanzl, Urban Culture Institute​ & BSA Placemaking Network (moderator)
David Bois, Arrowstreet
Anne-Catrin Schultz, Wentworth Institute of Technology
Kevin Smith, EXTECH

​
Session Objectives
• Examine the physical, environmental, social or
   psychological impacts of kinetic facades in the context of
   placemaking.
• Learn about the design, technology and fabrication of
   kinetic façades.
• Explore the integration of moving elements into
  architecture, such as features animated by the elements
  (wind/air, water), software and/or mechanics.
• Discuss the potential of kinetic facades for the future of 
  design.
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Placemaking Manifesto Issued November 2017

11/1/2017

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Placemaking is about sense of place. Everybody – people of all backgrounds, ages and abilities – can participate in creating successful public places. Everyone can serve the agenda of excellence in design, healthy communities and thriving neighborhoods. Our built environment is a common good that comes alive through an understanding of how humans instinctively relate to space, design leadership that leverages it, and activity programming that capitalizes on it. The BSA Placemaking Network celebrates its 10-year anniversary with the release of the Placemaking Manifesto. To solicit community input the Manifesto was launched at a public writers' workshop with the co-authors, Christina Lanzl, Robert Tullis and Anne-Catrin Schultz at BSA Space in Boston on October 23, 2017. 

The Placemaking Network explores what it takes to further the creation of high-quality, distinctive public places. Participants of the public Placemaking Manifesto review at BSA Space on October 23, 2017 were Placemaking Manifesto co-authors Christina Lanzl, Robert Tullis and Anne-Catrin Schultz as well as Polly Carpenter/BSA Foundation, A. Vernon Woodworth/AIAMA Board of Directors, Anthony Clayton, Deborah Fennick, Kathryn Firth, Júlia Hilário, Marek Jacisin, Victoria LaGuette, Doris Martinez, Neil McCann, Stephanie Osser, Sergio Arturo Perez, Coco Raynes, Eric Reinhard, Renata von Tscharner, Sara Wermiel, Douglas Wohn and Claudia Zarazua
 
​The Placemaking Manifesto
Placemaking transforms space into place. Our public realm is a common good that comes alive through an understanding of how humans instinctively relate to place, design leadership that leverages it, and active programs for and by communities as a civic benefit for everyone. Placemaking activates our built and lived environment. We acknowledge and actively work towards improving hard as well as soft quality of life factors. 
Placemaking = Quality of Life
 
Placemaking engages the five senses. It is about developing and continuing identity, distinctive, specific and memorable character in our public spaces. It’s about fostering a sense of place: our body-mind’s positive kinesthetic, emotional and cognitive experience in, and in relationship to our public surroundings.  It’s achieved by putting the importance of our shared, exterior spaces between buildings above that of our private, interior spaces within them. We recognize that storytelling gives meaning to our lives and is therefore an important narrative device of human civilization.
Placemaking = A Sense of Place
 
Placemaking is about the benefits that accrue to us, our neighbors, our community, and even our culture when we engage with each other in a high-quality and healthy public realm.  Including public participation in its design and use helps create community identification. Active programming, public events, and public art are powerful tools that help foster community pride.
Placemaking = Caring About the Community
 
Placemaking integrates the individualized focus of disciplines such as architecture, urban design, landscape architecture, public art, and community cultural programming; and supersedes their boundaries by focusing on collaboration, communication and place instead of isolated projects, bringing together individuals of all backgrounds, interests and talents.
Placemaking = Collaboration and Communication
 
Placemaking embraces inclusivity by offering a universal platform for discourse. Everyone is a maker of place. Everyone can serve the agenda of excellence in design, supportive environments, healthy communities, and thriving neighborhoods. In a high-quality public realm, we shed our individual bubbles and participate in a life of greater civic engagement.
Placemaking = Active Participation
 
Placemaking combines an awareness of tradition with an embracing of new and emerging technologies. It respects time-tested rules of form and space, but also employs the research, development and innovation along with contemporary digital and social media tools to further community building.
Placemaking = Tradition and Innovation


Download the Placemaking Manifesto
Download the Oct. 23, 2017 Writers' Workshop Notes
Download the Authors' Biographies

See the Jan. 2, 2018 article on ArchDaily
Download the Letter to the Editor of ArchDaily
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HUBweek Panel on Creative Placemaking

10/15/2017

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HUBWEEK 2017 | Oct. 10-15, 2017
HUBweek explores the future being built in Boston at the intersections of art, science, and technology. HUBweek kicked off with events taking place across the city, and landed on Boston’s City Hall Plaza, which transformed into a
first-of-its-kind festival site. Filled with 80 shipping containers, dozens of art installations, and 6 geodesic domes,
 thousands of artists, innovators and creators from across Boston and the globe converged at The HUB. Among the panels featured:

Creative Placemaking
A View on Tactical Urbanism

HUBweek – Red Dome, 1 City Hall Square, Boston, MA
Sunday, October 15, 2017 | 3:30 pm – 4:30 pm

Moderator
Christina Lanzl, Director, Urban Culture Institute
Presenters
Julie Burros, Chief of Arts and Culture, City of Boston
Christine Dunn, Chair of Arts & Culture, Sasaki
Janet Echelman, Artist
Christopher Janney, Artist/Composer
David Nagahiro, Principal, CBT Architects – Master Planner of HUBweek's The HUB on City Hall Square (see rendering)
A View of Tactical Urbanism––Abstract
We are in the midst of a public art paradigm shift. Most cities struggle to afford investment in monumental public art and new high quality public realm designs. Often time, public spaces are missing the vital programs that aid in full activation potential.

Planners, architects, landscape architects, artists in collaboration with community members, cities, policy makers, private entities and grassroots organizations are working to transform these spaces through “creative placemaking”. The maker movement, tactical urbanism, readily-available tools of digital production, and other cultural drivers are steadily chiseling away at the prominence of iconic public art.
​
Discuss with us how HUBweek transforms Boston’s City Hall Plaza into a first-of-its-kind centralized festival site “The HUB”; how a curated art program activates the Rose Kennedy Greenway; and how a temporary flex space like “Lawn on D” becomes the new urban and hip place to be. Join our esteemed panelists from the HUBweek Change-Maker series, which showcases the most creative and inventive minds in art, science, and technology making an impact in Boston and around the world.

​
Hosted by HUBweek in partnership with the City of Boston and the Boston Society of Architects/AIA.
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Urban Culture Institute Wins Award

9/28/2017

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The Urban Culture Institute is the proud recipient of a 2017
Businesswoman Award from CV Magazine for Best Woman-Run Arts & Culture Initiative 2017 in the Northeastern United States. 
The dedication and hard work of the entire team at the Urban Culture Institute contributed to this achievement. Many thanks to Dieta Sixt, Stephanie Sherman, Ricardo Barreto and Anne Marie Purkey Levine for all their hard work.

The Urban Culture Institute stands out because it is deeply rooted in community. Christina Lanzl's philosophy is to "listen and enable". The Institute's practice is creative and multidisciplinary, working with diverse clients, communities and institutions, artists, design teams and professionals in the creative and service sectors. Expertise and projects range from advisory services and public art facilitation to cultural planning and public engagement. Projects typically bring together a range of diverse partners and communities, offering opportunities to come together and find consensus, an undertaking that is often delicate and fraught with challenges. Lanzl observes that keeping the goal in mind is crucial to achieve a positive outcome, for the greater benefit of all.
Through its work, the Urban Culture Institute brings together and enables people of all backgrounds and abilities to fulfill the desire for an improved quality of life, the enhancement of cultural economic development and creative placemaking. The Institute facilitates the development of high quality arts and cultural assets, helping others by bringing expertise and resources to the table: a unique combination of curatorial expertise, savvy and efficient process with an eye towards positive outcomes for the built environment and economic impacts.
​
CV Magazine notes that its Awards are based on merit: ​
​"To ensure this, our in-house research team will go in-depth to find the industry firms and leaders who deserve acknowledgement for their outstanding performances within the sector. Winners of this award can rest assured that their win was one that was truly deserved."

Read the editorial on page 11 of the Award Supplement.
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Ridership Engagement Roundtable at Metrorail Congress Americas

6/28/2017

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The World Metrorail Congress Americas took place at The Inn at Penn Station in Philadelphia on June 28 and 28, 2017. The conference surveyed strategic discussions related to light rail planning and management in metropolitan areas. Sandra Bloodworth, Director, MTA Arts & Design, Metropolitan Transit Authority in New York City chaired the roundtable, Ridership Engagement: The essential role of art and design in engaging your ridership and communities. Presenters included Katherine Dirga, Program Manager Arts Administration of MARTA in Atlanta GA, Elizabeth Mintz, SEPTA Director of Communications, Philadelphia artist Ray King as well as Caitlin Martin, Media Communications Manager of the Association for Public Art in the conference city. Christina Lanzl of the Urban Culture Institute’s contribution to the conversation focused on questions related to placemaking in transportation planning:
  • How can public transportation agencies work towards better services and policies in the U.S. that support placemaking and a high quality public transportation environment?
  • What is the future of digital applications in public transportation art and placemaking projects? Can an overload of visual and sound/noise stimulation deteriorate the ridership experience?
Lanzl laid out the benefits of an integral, holistic perspective and multi-disciplinary approach that leverages placemaking, the arts and culture to enhance abutting communities through collaboration. The goal is to improve quality of life and to create opportunities for neighborhoods, businesses, organizations and individuals/residents.
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Common Boston Call for Volunteers

4/27/2017

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Common Boston is accepting volunteers through May 15, 2017.

The Urban Culture Institute is Community Partner and proud co-sponsor of Common Boston, the annual architecture and design festival of the Boston Society of Architects/AIA, a program of the BSA Foundation. Common Boston will provide free, open access to buildings throughout Boston's diverse neighborhoods during the weekend of June 3 and 4. By doing so, the public will be inspired to discover why design matters, and learn the stories of Greater Boston's many dynamic communities. Since 2006, Common Boston has hosted over 250+ events for thousands of attendees in 35 greater Boston neighborhoods. 
​
Please help make Common Boston possible, and volunteer your time during the festival weekend! Meet interesting people,
​go behind the scenes of some of the city’s greatest places, and become more involved in your community.
The 2017 Common Boston Festival already includes over 50 sites! View the current Common Boston sites at commonboston.org.

Common Boston is accepting volunteers through May 15, 2017.
For sponsorship opportunities please contact msalvatierra@architects.org.

Among the 2017 site partners are Arnold Arboretum | Ayer Mansion | BNN Charles J. Beard ll Media Center | Bolling Building | Boston Architectural College | Boston Harbor Distillery | Boston Nature and Wildlife Center | Boston Public Market | BPL: Central Library in Copley Square | BPL: East Boston | BPL: Honan Allston | BPL: Hyde Park | BPL: Jamaica Plain | BPL: Mattapan Branch | Cambridge City Hall | Carpenter Center for Visual Arts | Church of the Covenant | Community Boat Building | The Ethelbert Cooper Gallery of African & African American Art | Cooper Frost Austin House | DHS: Capt. Lemuel Clap House | DHS: James Blake House | DHS: William Clapp House | District Hall | Eliot Burying Ground | Eliot School of Fine Arts | Emerald Necklace Conservancy | Ether Dome and the Bulfinch Building | Eustis Street Firehouse | Fenway Victory Gardens | First Baptist Church of Boston | First Church of Roxbury Meetinghouse | Frederick Law Olmsted National Historic Site | Grain Wood Shop | Hibernian Hall |  Kendall Square Roof Garden | L Street Power Station | Loring-Greenough House | Lunder Arts Center, Lesley University | Metropolitan Waterworks Museum | MIT List Art Center | The Museum of African American History | Northeastern University’s Interdisciplinary Science and Engineering Complex | Old North Church | Otis House, Historic New England | Shrine of Our Lady of Good Voyage | Paul S. Russell, MD Russell Museum of Medical History & Innovation | Saint Peter's Episcopal Church | South Street Farm (Groundwork Somerville) | Vilna Shul, Boston's Center for Jewish Culture | Trinity Church | Union Press | YMCA of Greater Boston | Y2Y | ZUMIX
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ARTitecture Exhibition at Wentworth Institute of Technology

4/8/2017

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ARTitecture: Multipurpose Academic Building Art-In-Architecture Project Proposals
Exhibition at the ​Guarracino Family Gallery
Douglas D. Schumann Library & Learning Commons

Wentworth Institute of Technology | Beatty Hall
550 Huntington Avenue, Boston MA 02115

Exhibition open to the public April 7 – 20, 2017 
Mon-Thu 7-11 | Fri 7-6 | Sat 8-6 | Sun 11-10

ARTitecture is an exhibition of art-in-architecture project proposals for the new Multipurpose Academic Building to be constructed on the campus of Wentworth Institute of Technology. Eighteen graduate and senior architecture students analyzed the design of the new building, developed by the Boston firm Leers Weinzapfel, and conceived
complementing public art features. The assignment was to develop a schematic proposal for an innovative, transformative, permanent art-in-architecture project at an individual or multiple sites within or surrounding Wentworth’s new Multipurpose Academic Building. Concepts could encompass the following:
  • Interior or exterior
  • Consider ongoing, temporary programming or changing uses
  • Non-functional or functional 3D elements
  • Seating and/or public furnishings
  • Facade elements
  • Architectural glass
  • Lighting design
  • Paving, flooring
  • Murals, e.g. mosaic, tile

Summary of general criteria for the project:
  • Celebrate the Wentworth community and technology with an innovative art-in-architecture installation
  • Design will offer a sense of place
  • Appropriateness for the campus and site, including scale and safety
  • Low maintenance, permanent materials
  • Adhere to ADA (Americans with Disabilities Act) guidelines as appropriate
 
On view are project descriptions, schematic drawings and renderings as well as basic maquettes feature projects by 
Lamia AlMuhanna, Ali Alquadi, Fabiana Casale Hernandez, Sabine DeShazo, Sam Fernandes, Alec Foucault, Carla Gautier-Castro, Merna Haddad, Gizelle Hourani, Madison Lopes, Crystal Montas, Dan Pham, Brian Sandford, Micaila Sheridan, Cristina Sidoli Tronchi, Katya Stassen, Seantel Trombly and Brandon Werner. The proposals are on view in the Guarracino Family Gallery at the Douglas D. Schumann Library & Learning Commons from April 7 through 20, 2107. The public is invited to a breakfast reception on Tuesday, April 11 from 9 to 10 a.m. with the ARTitecture seminar students and faculty, Christina Lanzl.

Many thanks to Wentworth's Department of Architecture, the Douglas D. Schumann Library & Learning Commons, the Divistion of Technology Services and many others for supporting the project.






Summary of Project Context
Wentworth proposes to construct a Multipurpose Academic Building ("MpA Building" or the "Project"). The Project is designed to meet the next evolution in the collegiate study of several engineering disciplines by providing modern academic space for Wentworth's existing student body and to enhance the campus experience in a new "state-of-the-art" building.

At approximately 64 feet in height and approximately 69,000 gross square feet, the MpA Building will contain laboratories, student learning and group meeting space, offices, and support/storage space on floors two through four, and a first-floor maker space, manufacturing, and gathering space intended to invite the campus population to experience first-hand displays of Wentworth's engineering capabilities and teachings. The MpA Building will accommodate Wentworth's transition from providing engineering technology programs to engineering and innovation programs, such as a new biological engineering program. This transition requires new and different teaching and learning spaces and configurations that will promote more collaboration and interdisciplinary approaches to the curriculum. The Project, which is a response to the evolution of engineering education at Wentworth, is intended to meet the needs of the existing student body, and is not driven by, or expected to result in, a measurable increase in enrollment.
Source: Wentworth EPNF, Jan. 2017

Multipurpose Academic Building/MpA Art-In-Architecture PROPOSALS
Lamia AlMuhanna: Looking Into Someone's Eyes
MpA Lobby Façade along The Pike
Ali Alquadi: Touches the Earth Lightly
MpA Façade, Parker Street 
Fabiana Casale Hernandez: Intertwined
The Pike at MpA and Lobby
Sabine DeShazo: Digital Wrap
MpA Quad-side, South Corner
Sam Fernandes: Reinventing the Pike
The Pike, Huntington Avenue to Parker Street
Alec Foucault: Shifting Light
MpA Vestibule
Carla Gautier-Castro: Pike Unfolded
MpA along The Pike
Merna Haddad: On the Power of Knowledge
MpA First Floor Lobby
Gizelle Hourani: An Inspired Path
The Pike at MpA
Madison Lopes: Diversity, Integrity and Interaction
MpA Main Entrance, Parker Street
Crystal Montas: Under the Forest's Light
MpA Glass Facades
Dan Pham: Flicker
The Pike at MpA
Brian Sandford: Contact Light (or An Effort in Defense of Gravity), MpA Interior Atriums/Staircases
Micaila Sheridan: Showcasing the Space
MpA Lobby Façade along The Pike
Cristina Sidoli Tronchi: Path of Lights
MpA First Floor Lobby
Katya Stassen: Making Waves
MpA and The Pike
Seantel Trombly: Moving Path
MpA Lobby Façade along The Pike
Brandon Werner: Egosyntonometrics
The Pike at MpA
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Architectural Kinetics: When Facades Are Moving

2/26/2017

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Published in Wentworth Architecture Review 7, 2017. Download the full essay.
 
In this essay the co-authors, Christina Lanzl and Anne-Catrin Schultz, investigate an international interdisciplinary group of noted architects, engineers, artists, and scientists in a survey of the present and future of kinetic applications in facade design. Focus is a selection of projects that involve kinetic mechanisms, explore potential already realized and evolving visions.

Architecture is typically associated with a sense of permanence, solidity and the perception that it stands still. At the same time, architects and engineers have been intrigued for centuries by more flexibility. They have attempted to mobilize elements, to create responsive facades that react to site conditions, microclimate and the users’ desires.
 
Kinetic architecture relates to the terms of movement, bringing a reactive potential that allows users and visitors alike to interact with the building or part of it. Mapping site conditions such as wind, sun and shadow or movement and the presence of spectators might be processed and visualized in moving parts as a process of kinetic mapping. It is often facades that include the dynamics of this kind of interaction, the simplest version being a blind to keep out the sun or a power circuit to render a transparent wall opaque. Kinetic mechanisms are used in the art world to engage with buildings and the city and in the engineering world to satisfy increasingly complex requirements of sustainability.
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