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Toward a New Paradigm by Christina Lanzl in Extraordinary Partnerships Book

8/9/2020

1 Comment

 
Lever Press has published a new pathbreaking book on the humanities, Extraordinary Partnerships: How the Arts and Humanities are Transforming America, edited by Christine Henseler, Chair of the Department of Modern Languages and Literatures and Co-Director of 4Humanities at Union College. Her "inspirative and hopeful collection demonstrates that the arts and humanities are entering a renaissance that stands to change the direction of our communities." (book jacket)

​Among the authors are Kim Cook of the Burning Man team, Ella Maria Diaz of Cornell University, Ari W. Epstein of Massachusetts Institute of Technology, Doris Sommer of Harvard University as well as Christina Lanzl of the Urban Culture Institute. Her essay, Toward a New Paradigm: Public Art and Placemaking in the Twenty-First Century, is featured in part 1 of the anthology, Toward a New Common Humanity: Creating Space, Context, and Moment.

Christina Lanzl, initiator and co-author of the Placemaking Manifesto, applies its six principles from her professional practice and research to highlight examples of extraordinary partnerships. These public art and placemaking initiatives, created in partnership with diverse communities, offer key insights, provide tips and offer potential for new endeavors.

The six principles anchored in the Placemaking Manifesto:

1. Placemaking = Quality of Life
2. Placemaking = A Sense of Place
3. Placemaking = Caring About the Community
4. Placemaking = Collaboration and Communication
5. Placemaking = Active Participation 
6. Placemaking = Tradition and Innovation

Publication:
Christine Henseler (editor). Extraordinary Partnerships: How the Arts and Humanities Are Transforming America. 
Amherst: Lever Press, 2020: 108-148.
The book is available as an open resource.
Abstract – "Toward a New Paradigm: Public Art and Placemaking in the Twenty-First Century" by Christina Lanzl
 

Quality of life and caring about community are at the core of a contemporary movement, which is increasingly becoming a grassroots-driven approach to consciously embrace the places we inhabit: Successful placemaking, the arts and culture––in short, ways for people to engage in public––are at the center of thriving, functioning neighborhoods. How can we create successful public places that provide all with powerful incentives for active participation? Which tools can we employ to ensure diversity and inclusivity? What kind of hands-on processes can be utilized? Are there universal platforms for discourse? Which creative activities and solutions produce improved, shared environments? This essay will look at strategies that encourage inclusive neighborhoods with ways to bridge the past, the present and the future. 

Placemaking activates our lived environment, offers cultural grounding and sense of place. Makers of all disciplines come together to think, plan, create and celebrate together. Storytelling is key to sharing community and place. Stories introduce ways to deal with difficult pasts, bridge differences and celebrate our common humanity. How are digital and social media as well as grassroots communication used to further community building? How can our built environment––architecture, open space, landscapes or parks, public art, and infrastructure be activated without being overbearing or becoming stale?

The new paradigm of placemaking is to eliminate professional boundaries, to bring together professionals with engaged citizens of all ages, backgrounds and abilities. Everyone can contribute to community, in both urban and rural contexts. Methodology and practice will complement case study examples to underline approaches and various perspectives. Experience shows that placemaking practice is overcoming the limitations of individual disciplines that have traditionally served to design and activate public spaces, such as architecture, urban design, landscape architecture, arts and community or social programs
1 Comment

Richard Bertman: The Sculptures Book by Christina Lanzl

6/20/2019

4 Comments

 
Richard Bertman: The Sculptures​
​
  • Provides a thoughtful and comprehensive account by author Christina Lanzl, on Bertman's synthesis of art and life, sculpture and architecture.
  • Covers Richard Bertman's early works, how he draws the figure 'in space', his kinetic sculptures, wood carvings, and how he infuses his works with humor.
  • Includes a full inventory of Bertman's sculptures.
  • Features full-color photography of Bertman's vivid sculptures, studies, illustrations and sketches.

For over 50 years Richard Bertman has been sculpting, drawing, and leading an architectural practice. Gradually assembling a lifetime's work, Bertman's sculptural creations encompass over 100 works from five decades. The sculptures bear testimony to a boundless energy and the creativity of a Renaissance man, both an artist and a renowned architect.
​
Christina Lanzl, the author of this catalogue raisonn
é​, delves into process, meaning and interpretation of Bertman's sculptures, shedding light on his creative practice and analyzing each work, while also listening to the artist's voice. He is best known for his whimsical mechanical sculptures. Man, and machine are Bertman's central foci, resulting in two major groupings: kinetic objects primarily activated by electric motors and figurative portraits made from bent wire, welded steel rod, or carved in wood. Complementing these are the early abstract sculptures as well as explorations in other materials, such as copper, bronze or the incorporation of appropriated items from found objects.
Book Talks
Book Launch at the MIT Museum

On Wednesday, June 19, 2019 the MIT Museum hosted the book launch of Richard Bertman: The Sculptures by Christina Lanzl. She was joined by Richard Bertman, artist and co-founder of CBT Architects, and Mark Jarzombek, author of the foreword, professor at the MIT School of Architecture and Planning and the curator of the concurrent exhibition, Drawing, Designing, Thinking: 150 Years of Teaching Architecture at MIT. 

The trio of Richard Bertman, Mark Jarzombek and Christina Lanzl led a conversation on the creative synergy between architecture and sculpture, the making and meaning of Bertman’s kinetic objects, wire sculptures and other works. Many of Bertman's works contain an element of humor, which offered opportunity for exploration.

MIT Museum | Book launch

265 Massachusetts Ave, Cambridge, MA
Wednesday, June 19, 2019 | 6 p.m.  

BSA Space | BSA Placemaking Network
270 Congress Street, Boston
Monday, September 23, 2019 | 6 p.m.

40th Annual Fort Point Open Studios
300 Summer Street | Studio 23, 2nd floor
Sunday, October 20, 2019 | 4 p.m

​Published by Images Publishing + Peleus Press, Richard Bertman: The Sculptures, is available for purchase in the MIT Museum Store. 
Hardcover. Order the book on Amazon.
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    The Urban Culture Institute
    ​works with diverse communities to transform civic spaces into meaningful, dynamic places. Our award-winning practice is committed to excellence in the arts and culture. 

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