Boston Exhibition and Convention Center
Wednesday, November 8, 2017, 11 am – 12:30 pm
Architecture is typically associated with a sense of permanence, solidity and the perception that it stands still. At the same time, architects and engineers have been intrigued for centuries by more flexibility. They have attempted to mobilize elements, to create responsive facades that react to site conditions, microclimate and the users’ desires. Site conditions such as wind, sun and shadow or movement and the presence of spectators might be processed and visualized in moving parts as a process of kinetic response. Kinetic mechanisms are used in the engineering world to satisfy increasingly complex requirements of sustainability and in the art world to engage with buildings and the city. An interdisciplinary panel representing the fields of architecture, engineering, public art and fabrication will investigate case studies as well as the present and future of kinetic applications in facade design. Explored will be kinetic façade design, such as Logan Airport’s Central Garage West Expansion and insights on select projects by Arrowstreet, EXTECH, Ned Kahn, Asif Khan and soma, among others. The focus will be on projects that involve kinetic mechanisms, explore potential already realized and evolving visions. This panel is sponsored by the Placemaking Network of the Boston Society of Architects/AIA.
Details on Kinetic Facades: Inventive Architecture, Design, Fabrication are available on the Expo website.
Receive 10% off this session with discount code: ABX17WE18
Christina Lanzl, Urban Culture Institute & BSA Placemaking Network (moderator)
David Bois, Arrowstreet
Anne-Catrin Schultz, Wentworth Institute of Technology
Kevin Smith, EXTECH
• Examine the physical, environmental, social or
psychological impacts of kinetic facades in the context of
• Learn about the design, technology and fabrication of
• Explore the integration of moving elements into
architecture, such as features animated by the elements
(wind/air, water), software and/or mechanics.
• Discuss the potential of kinetic facades for the future of
Placemaking is about sense of place. Everybody – people of all backgrounds, ages and abilities – can participate in creating successful public places. Everyone can serve the agenda of excellence in design, healthy communities and thriving neighborhoods. Our built environment is a common good that comes alive through an understanding of how humans instinctively relate to space, design leadership that leverages it, and activity programming that capitalizes on it. The BSA Placemaking Network celebrates its 10-year anniversary with the release of the Placemaking Manifesto. To solicit community input the Manifesto was launched at a public writers' workshop with the co-authors, Christina Lanzl, Robert Tullis and Anne-Catrin Schultz at BSA Space in Boston on October 23, 2017.
The Placemaking Network explores what it takes to further the creation of high-quality, distinctive public places. Participants of the public Placemaking Manifesto review at BSA Space on October 23, 2017 were Placemaking Manifesto co-authors Christina Lanzl, Robert Tullis and Anne-Catrin Schultz as well as Polly Carpenter/BSA Foundation, A. Vernon Woodworth/AIAMA Board of Directors, Anthony Clayton, Deborah Fennick, Kathryn Firth, Júlia Hilário, Marek Jacisin, Victoria LaGuette, Doris Martinez, Neil McCann, Stephanie Osser, Sergio Arturo Perez, Coco Raynes, Eric Reinhard, Renata von Tscharner, Sara Wermiel, Douglas Wohn and Claudia Zarazua
The Placemaking Manifesto
Placemaking transforms space into place. Our public realm is a common good that comes alive through an understanding of how humans instinctively relate to place, design leadership that leverages it, and active programs for and by communities as a civic benefit for everyone. Placemaking activates our built and lived environment. We acknowledge and actively work towards improving hard as well as soft quality of life factors.
Placemaking = Quality of Life
Placemaking engages the five senses. It is about developing and continuing identity, distinctive, specific and memorable character in our public spaces. It’s about fostering a sense of place: our body-mind’s positive kinesthetic, emotional and cognitive experience in, and in relationship to our public surroundings. It’s achieved by putting the importance of our shared, exterior spaces between buildings above that of our private, interior spaces within them. We recognize that storytelling gives meaning to our lives and is therefore an important narrative device of human civilization.
Placemaking = A Sense of Place
Placemaking is about the benefits that accrue to us, our neighbors, our community, and even our culture when we engage with each other in a high-quality and healthy public realm. Including public participation in its design and use helps create community identification. Active programming, public events, and public art are powerful tools that help foster community pride.
Placemaking = Caring About the Community
Placemaking integrates the individualized focus of disciplines such as architecture, urban design, landscape architecture, public art, and community cultural programming; and supersedes their boundaries by focusing on collaboration, communication and place instead of isolated projects, bringing together individuals of all backgrounds, interests and talents.
Placemaking = Collaboration and Communication
Placemaking embraces inclusivity by offering a universal platform for discourse. Everyone is a maker of place. Everyone can serve the agenda of excellence in design, supportive environments, healthy communities, and thriving neighborhoods. In a high-quality public realm, we shed our individual bubbles and participate in a life of greater civic engagement.
Placemaking = Active Participation
Placemaking combines an awareness of tradition with an embracing of new and emerging technologies. It respects time-tested rules of form and space, but also employs the research, development and innovation along with contemporary digital and social media tools to further community building.
Placemaking = Tradition and Innovation
Download the Placemaking Manifesto
Download the Oct. 23, 2017 Writers' Workshop Notes
Download the Authors' Biographies
See the Jan. 2, 2018 article on ArchDaily
Download the Letter to the Editor of ArchDaily
Common Boston is accepting volunteers through May 15, 2017.
The Urban Culture Institute is Community Partner and proud co-sponsor of Common Boston, the annual architecture and design festival of the Boston Society of Architects/AIA, a program of the BSA Foundation. Common Boston will provide free, open access to buildings throughout Boston's diverse neighborhoods during the weekend of June 3 and 4. By doing so, the public will be inspired to discover why design matters, and learn the stories of Greater Boston's many dynamic communities. Since 2006, Common Boston has hosted over 250+ events for thousands of attendees in 35 greater Boston neighborhoods.
Please help make Common Boston possible, and volunteer your time during the festival weekend! Meet interesting people,
go behind the scenes of some of the city’s greatest places, and become more involved in your community.
The 2017 Common Boston Festival already includes over 50 sites! View the current Common Boston sites at commonboston.org.
Common Boston is accepting volunteers through May 15, 2017.
For sponsorship opportunities please contact firstname.lastname@example.org.
Among the 2017 site partners are Arnold Arboretum | Ayer Mansion | BNN Charles J. Beard ll Media Center | Bolling Building | Boston Architectural College | Boston Harbor Distillery | Boston Nature and Wildlife Center | Boston Public Market | BPL: Central Library in Copley Square | BPL: East Boston | BPL: Honan Allston | BPL: Hyde Park | BPL: Jamaica Plain | BPL: Mattapan Branch | Cambridge City Hall | Carpenter Center for Visual Arts | Church of the Covenant | Community Boat Building | The Ethelbert Cooper Gallery of African & African American Art | Cooper Frost Austin House | DHS: Capt. Lemuel Clap House | DHS: James Blake House | DHS: William Clapp House | District Hall | Eliot Burying Ground | Eliot School of Fine Arts | Emerald Necklace Conservancy | Ether Dome and the Bulfinch Building | Eustis Street Firehouse | Fenway Victory Gardens | First Baptist Church of Boston | First Church of Roxbury Meetinghouse | Frederick Law Olmsted National Historic Site | Grain Wood Shop | Hibernian Hall | Kendall Square Roof Garden | L Street Power Station | Loring-Greenough House | Lunder Arts Center, Lesley University | Metropolitan Waterworks Museum | MIT List Art Center | The Museum of African American History | Northeastern University’s Interdisciplinary Science and Engineering Complex | Old North Church | Otis House, Historic New England | Shrine of Our Lady of Good Voyage | Paul S. Russell, MD Russell Museum of Medical History & Innovation | Saint Peter's Episcopal Church | South Street Farm (Groundwork Somerville) | Vilna Shul, Boston's Center for Jewish Culture | Trinity Church | Union Press | YMCA of Greater Boston | Y2Y | ZUMIX
Urban Culture Institute
The Urban Culture Institute works to promote excellence in culture, planning and strategies for the public realm.