Urban Culture Institute
  • Home
  • Projects
    • Worcester
    • Howes Park
    • Coppens Square Park
    • Codman Square Park
    • Gourdin Park
    • Kulturpark Berlin
    • TEMPOart
    • Ringer Park
    • Mather School Green Space
    • MBTA Red Line Wollaston Station
    • MBTA Silver Line Extension
    • Boston Children's Hospital
    • HarborArts Boston
    • Social Muscle Club
    • Memphis Art Walk
    • To Extremes
    • Art in Architecture Study
    • BSA Placemaking Network >
      • 2019 Placemaking Seminars
      • 2018 Placemaking Seminars
      • 2017 Placemaking Seminar Series
      • Placemaking Seminar Series 2016
      • Placemaking Seminar Series 2015
      • Placemaking Seminar Series 2012
      • Placemaking Seminar Series 2011
      • Placemaking Seminar Series 2010
      • Placemaking Seminar Series 2009
      • Placemaking Seminar Series 2008
  • Blog
  • Publications
  • Team
  • Maps
    • Fenway-Kenmore
    • Fort Point-Seaport
  • Contact

Projection Mapping Facade Design Essay by Christina Lanzl

8/30/2020

2 Comments

 
Picture
​Design Innovation in Architecture:
The Spatial Augmented Realities of UrbanScreen
Essay by Christina Lanzl

Edition Menges has published a new anthology by Anne-Catrin Schultz, Associate Professor of the Department of Architecture at Wentworth Institute of Technology. Through her research she realized that the condition of »fake« and »real« in architecture is rarely publicly discussed nor has it encountered broad journalistic or scholarly attention. This book explores the realm of truth, authenticity and fakery in architecture, providing a timely collection of analytical essays and projects. The authors challenge our perception of »authenticity« through the examination of built and simulated environments, architectural fiction, theatric illusions and mannerist trickery. Expanding from the discussion about truthful materiality and tectonics, this book provides an understanding of real, authentic, and fake in urbanism and architecture.

The diverse contributions shed light on unexpected identities in architecture inviting critical thought about our built environment–analog and digital. Editor Anne-Catrin Schultz invited colleagues and friends to contribute essays: Dan Hisel, Morgan McMahon, Nicole Lambrou, Christina Lanzl, Eric Lum, Jennifer Lee Michaliszyn, Tom van Arman, Justin Vigilanti and Kemo Usto. Featured also are projects by Rima Abousleiman, Stefan Al, Alun Be, Kelly Hutzell and Rami el Samahy, Mat Maggio, Jessica Ronayne, Gregor Sailer, Allen Spore and Edoardo Tresoldi.

The authors challenge our perception of »authenticity« through the examination of built and simulated environments, architectural fiction, theatric illusions and mannerist trickery. They examine the notion that the principle of Sullivan’s »form follows function« contains a paradox caused by the ambiguity and complexity of architectural expression. Buildings are perceived through an individual’s personal experiences while also being interpreted along broader cultural values. The works shown demonstrate that under scrutiny, any built environment harbors both, reveals moments of truth, deception and ambiguity – all of it partially in the eye of the beholder.

The goal of this publication goes beyond unmasking deception in architecture, it aims at unfolding time-lines and revealing the layered nature of people and places. The images and essays reveal our contemporary condition and let collective and individual narratives unfold, a range of truths in themselves. Expanding from the discussion about truthful materiality and tectonics, this book provides an understanding of real, authentic, and fake in urbanism and architecture.

Publication:
Anne-Catrin Schultz (editor). Fake and Real in Architecture: Close To The Original, Far From Authenticity? Stuttgart: Edition Menges, 2020: 131-140.


​Design Innovation in Architecture:
The Spatial Augmented Realities of UrbanScreen
Abstract | Essay by Christina Lanzl

Design innovation in architecture frequently is the result of a continual, thoughtful consideration of human habitation, its evolution, research and experimentation. The innovation of materials in architecture and design is tested at a smaller scale, where experimentation can happen on modest budgets, in the incubator atmosphere of a workshop environment. Artistic applications and the internet, exhibitions and temporary installations or tradeshows serve as a platform to introduce new ideas, materials or groundbreaking scientific research to a public audience for the first time. At a large scale the intersection of research and innovation increasingly occurs in virtual environments, where ideas can be visualized without the pressure to invest in construction. This phase of theoretical application usually precedes prototyping or, at times, it may occur simultaneously.

 
A most promising new technology with potential for development of neoteric applications for building façades is projection mapping, a process that maps projected light on the surface of any 3D form. The types of “fake” architectural façades (skins) thus created offer an opportunity for innovation in architectural design and permanent construction.

Projection mapping is a burgeoning field. Therefore, this essay is limited to a case study approach. Particularly noteworthy are the architecturally inspired, “fake” designs by UrbanScreen, a cutting-edge practice based in Bremen, Germany since 2005. UrbanScreen creates cataclysmic possibilities of architectural design as spatial augmented realities that are projected onto iconic buildings. Opera Sydney in Australia, Romania’s Palace of Parliament in Bucharest, Houston’s Rice University, the Leopold Museum in Vienna/Austria and Kunsthalle Hamburg in Germany have staged dazzlingly symphonic and imaginative choreographies developed by the firm. The development of a generally poetic and magical theme on each of these buildings offers fertile ground for exploration.
 
UrbanScreen concepts offer innovative visions for kinetic façade design leading to a series of relevant analytical questions. Which bright ideas may architectural designers deduce from temporary visualizations? Can the production of projected visuals and motion design inform permanent applications or, may this already have occurred? What kind of questions may arise concerning the digital interface and software codes when converting a projected to a static design? Can the visual drama and theatricality of a night-time projection that also features mesmerizing music and sound components be transformed into the design of a building envelope? This essay is intended to shed light onto these queries into fake architecture.
2 Comments

    Urban Culture Institute

    The Urban Culture Institute
    ​works with diverse communities to transform civic spaces into meaningful, dynamic places. Our award-winning practice is committed to excellence in the arts and culture. 

    Archives

    May 2021
    August 2020
    June 2020
    January 2020
    November 2019
    June 2019
    March 2019
    November 2018
    April 2018
    March 2018
    November 2017
    October 2017
    September 2017
    June 2017
    April 2017
    February 2017
    January 2017
    June 2016
    April 2016
    February 2016
    December 2015
    September 2015
    August 2015
    June 2015
    April 2015
    February 2015
    January 2015
    September 2014
    July 2014
    April 2014
    September 2013
    July 2013
    March 2013
    January 2013
    November 2012

    RSS Feed

    Categories

    All
    Airport Art
    Anne-Catrin Schultz
    Art
    Art In Architecture
    Art-in-Architecture
    Artists Help Desk
    ARTitecture
    Arts And Culture
    Arts And Technology
    Art Tour
    ArtWeek Boston
    Austin TX
    Blue Trees
    Book Talk
    Boston
    Boston Center For The Arts
    Boston Creates
    Boston Society Of Architects
    BSA Space
    Campus
    Chelsea Art Walk
    Chelsea MA
    Christina Lanzl
    Christine Henseler
    Christopher Janney
    Dendroids
    Department Of Architecture
    Dieta Sixt
    Digitalkunst
    Diller+Scofidio
    Durig & Rami
    Edward Ingersoll Browne Trust Fund
    Einstein Tower
    Erich Mendelsohn
    Exhibition
    Facade
    Fort Point Arts Community
    Fort Point Tech & Art Tour
    Forum
    FPAC
    Friends Of Fort Point Channel
    Guarracino Family Gallery
    Historic Fort Point
    ICA Boston
    Imagine Boston 2030
    Institut Du Monde Arabe
    Institute Of Contemporary Art/Boston
    Jean Nouvel
    Josefine Günschel
    Julian Opie
    Julie Burros
    Kinetics
    KMD Architects
    Konstantin Dimopoulos
    Kulturpark
    Kunst Im öffentlichen Raum
    Land Art
    Landing Studio
    Materialitaet
    Mather School
    Medien
    MIT Museum
    Ned Kahn
    Open Room Austin TX
    Patrick Dougherty
    Peabody Essex Museum
    Placemaking
    Port Park
    Projection Mapping
    P+ Studio
    Public Art
    Richard Bertman
    Richard McGuinness
    Roxy Paine
    Sculpture
    Soma
    Stefan Pietryga
    Steven Holl
    Stickwork
    Storefront For Art And Architecture
    The Blue Trees
    Urban Culture Institute
    UrbanScreen
    Vancouver Biennial
    Vito Acconci
    WBUR
    Wentworth
    Whitney Biennial

Proudly powered by Weebly